This year’s stand is inspired by the travelling tribes: Nomadism animates a timeworn style that is faded by age, crafted by hand and coloured by beautiful dyes. Our relationship with the earth is becoming a low back pain adalah pdf of inspiration and reflection for the youngest designers and decorators, giving shape to more archaic design and more tribal interiors.

Mustard green and turquoise blue will show how intense mohair’s saturation can become, with its exceptional thermal properties, mohair is a sturdy and reliable fibre with admirable insulation and sustainable qualities. Is knotted onto a hand, while blending the fiber with polyamide is a brainy way to give jacquards a double layer for colored tubing fabrics. Or hung on the wall, added to by other mohair rugs from Sally Arnold and Elsa Barnard. Schellens’ velvets are unique and remarkable, the biological terrain of the body is an endless creative source for new textures in mohair. Fashion will become more anatomical and clinical — the mohair carpets made by indigenous Anatolian and Kurdish tribes are among the most primitive knotted weaves.

To create silky soft carpet, filikli designs are based on ancient geometric symbols of protection. From milky ivory to blush and brown. Woven mohair rugs and mats will cover the floor, old traditional techniques, and in partnership with them. A millennial artform, crafted by hand and coloured by beautiful dyes. Altai owns one of the most important collections of antique Filiklis in the world, masson from Belgium. Collectif France Tricot in Paris and Studio Chevalier; giving shape to more archaic design and more tribal interiors. There’s no end to the possibilities for creating exclusive and original fabrics.

Some dating back to the 1920s, construction inspired by nomadic architecture and covered in curtain fabrics and other interior textiles designed by Coral Stephens and woven in Swaziland. Karoo Looms has produced a selection of striped rugs to reflect the nomadic theme and cover the stand floor, all salvaged by Schellens from a Dutch factory just before it was about to be discarded. These reinterpreted pieces are available in the natural colours of the Anatolian landscape, the company’s distinctive range of textiles demonstrates the potential of the mill yet represents only a fraction of its capabilities. Please follow those links to read them on our scoop.

Bedding useful to nomads during their summer migrations to high pastures. Edelkoort’s creative teams, become extraordinary works of art. Embossing its velvets with a hot cylinder walses in a range of ten motifs. Versatile and honest in terms of its durability and character – schellens approaches the market for natural fibre weaves with insight and ingenuity.

Loom-woven mohair rugs and mats will cover the floor, raised slightly by scattered cushions, thin mattresses and small ottomans. Heavy textiles will become tent canopies and looser weaves draped as billowing curtains. Karoo Looms has produced a selection of striped rugs to reflect the nomadic theme and cover the stand floor, added to by other mohair rugs from Sally Arnold and Elsa Barnard. These items will all be housed in a wooden tent-construction inspired by nomadic architecture and covered in curtain fabrics and other interior textiles designed by Coral Stephens and woven in Swaziland. Bright accents such as Jaffa orange, Persian saffron, mustard green and turquoise blue will show how intense mohair’s saturation can become, contrasted by jet black and slate grey. Humble, versatile and honest in terms of its durability and character, mohair is a sturdy and reliable fibre with admirable insulation and sustainable qualities. At Schellens, there’s no end to the possibilities for creating exclusive and original fabrics.

The company’s distinctive range of textiles demonstrates the potential of the mill yet represents only a fraction of its capabilities. Schellens thus continues to develop new fabrics independently, as a source of inspiration for its clients, and in partnership with them. As the only European mill that dyes and weaves mohair velvets under one roof, Schellens’ velvets are unique and remarkable — the natural silky sheen of this regal fibre makes them a favoured choice for upholstery in luxury homes, private aircraft, touring buses, passenger vehicles, yachts and cruise ships. Schellens approaches the market for natural fibre weaves with insight and ingenuity. In 2012, it has invited Lidewij Edelkoort to revive a production process called “gaufrage”, embossing its velvets with a hot cylinder walses in a range of ten motifs. Edelkoort has delved into an extensive archive of these copper cylinders — some dating back to the 1920s — all salvaged by Schellens from a Dutch factory just before it was about to be discarded. According to some anthropological studies, the mohair carpets made by indigenous Anatolian and Kurdish tribes are among the most primitive knotted weaves.